Narrativas plásticas de la memoria en el espacio-tiempo posdictadura
No Thumbnail Available
Date
2015
Authors
Journal Title
Journal ISSN
Volume Title
Publisher
Escuela de Bellas Artes
Abstract
Description
A partir de un marco teórico que involucra la crítica cultural y
categorías de la estética contemporánea, el artículo explora la relación
entre arte y memoria a partir del modo en que una serie de obras pictóricas
se inscriben en el disputado espacio de la construcción del pasado reciente
en Argentina. Desde la ininteligibilidad de las formas y la exploración de
sentidos discordantes, se indaga sobre el modo en que las obras vuelven sobre
la relación entre el arte y la política y se inscriben en una suerte de “estética
de la inminencia” (García Canclini, 2010). Asimismo, se intenta explorar
la importancia del arte en las narrativas de la memoria y la forma en que
construyen temporalidades portadoras de relatos emancipatorios.
From a theoretical framework that involves cultural criticism and categories of contemporary aesthetics, the text explores the relationship between art and memory from the way in which a series of paintings take part in the disputed construction of the recent Argentinian past. From the unintelligibility of meaning and exploring discordant senses, the text explores how the paintings work on the relationship between art and politics and how they enroll in a kind of “aesthetic of the imminent” (García Canclini, 2010). It also attempts to explore the importance of art in the narratives of memory and how they build temporalities of emancipatory narratives.
From a theoretical framework that involves cultural criticism and categories of contemporary aesthetics, the text explores the relationship between art and memory from the way in which a series of paintings take part in the disputed construction of the recent Argentinian past. From the unintelligibility of meaning and exploring discordant senses, the text explores how the paintings work on the relationship between art and politics and how they enroll in a kind of “aesthetic of the imminent” (García Canclini, 2010). It also attempts to explore the importance of art in the narratives of memory and how they build temporalities of emancipatory narratives.
Keywords
Arte, Memoria, Posdictadura, Temporalidad, Art, Memory, Postdictatorship