Based on the impact that the media and the development of
technologies of production and reproduction are exercising
in the last decades of broad sectors of the art, we propose
to analyze some of the implications this has on the particular
field of literature. The purpose is to track how the preeminence
of indexical logic affects the reconfiguration cognitive
– perceptive systems, and impacts on models of realistic
representation, all of which allows us to consider an alternative
form of realism from which complejice deepens and
the tension between the “direct” (real) and “deferred” (representation).
We propose a line of analysis that stops tracking
these aesthetic variants from a “stable” position explore the
possibility to update and revitalize areas of the tradition of art
in conjunction with media and technological potential that the
current era of media coverage presents.