Máscaras de la violencia. Visualidad y politicidad en las imágenes de Ni una muerte indiferente
| dc.citation.title | Ñawi. Arte. Diseño. Comunicación | |
| dc.citation.volume | 17-29 | |
| dc.contributor.orcid | https://orcid.org/0000-0002-2047-1593 | |
| dc.creator | Bertolaccini, Luciana | |
| dc.date.accessioned | 2024-02-07T18:53:36Z | |
| dc.date.available | 2024-02-07T18:53:36Z | |
| dc.date.issued | 2024-01 | |
| dc.description.abstract | Este artículo se propone analizar las imágenes de una intervención de protesta urbana denominada Ni una muerte indiferente, realizada por el colectivo “Mujeres de Negro de Rosario”, en Argentina, en el marco del 25 de noviembre, conocido como el día internacional de la eliminación de la violencia contra la mujer (que ha sabido ser resignificado para implicar mujeres, lesbianas, trans, travestis y no binaries). Con este objeto, se explorará el conjunto del herramental expresivo utilizado, poniendo especial foco en el empleo de máscaras y en sus maneras de inscripción en el espacio público. Asimismo, se estudiará la relación entre violencia e imagen, a partir del análisis de la configuración y percepción de las muertes que allí se propician; la tensión entre presencia y ausencia; el juego entre el par singular-universal; y, por último, el vínculo que es posible pensar entre imagen y testimonio. | |
| dc.description.abstract | The aim of this paper is to analyze the images of an urban protest intervention called Ni una muerte indiferente (Not one indifferent death) carried out by “Mujeres de Negro Rosario”, Argentina, in November 25, known as the international day for the elimination of violence against women (redefined as the international day for the elimination of violence against women, lesbians, trans, transvestites and non-binary people). With this purpose, we will explore the expressive tools used, with a special focus on the use of masks and their ways of inscription in the public space. Likewise, we will study the relationship between violence and image, based on the analysis of the configuration and perception of the deaths that are propitiated there; the tension between presence and absence; the game between the singular-universal pair; and, finally, the link that is possible to think between image and testimony. | |
| dc.description.fil | Fil: Bertolaccini, Luciana. CONICET. Universidad Nacional de Rosario; Argentina. | |
| dc.description.version | peerreviewed | |
| dc.identifier.issn | 2588-0934 | |
| dc.identifier.uri | https://hdl.handle.net/2133/26678 | |
| dc.language.iso | es | |
| dc.publisher | Ñawi. Arte. Diseño. Comunicación | |
| dc.relation.publisherversion | https://doi.org/10.37785/nw.v8n1.a1 | |
| dc.rights | openAccess | |
| dc.rights.holder | Autora y Ñawi | |
| dc.rights.text | Attribution-NonCommercial 4.0 International You are free to: Share — copy and redistribute the material in any medium or format Adapt — remix, transform, and build upon the material The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms: Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. NonCommercial — You may not use the material for commercial purposes . No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits. | |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc/4.0/ | |
| dc.subject | Activismo | |
| dc.subject | Espacio público | |
| dc.subject | Estética política | |
| dc.subject | Feminismo | |
| dc.subject | Argentina | |
| dc.title | Máscaras de la violencia. Visualidad y politicidad en las imágenes de Ni una muerte indiferente | |
| dc.type | articulo | |
| dc.type.collection | articulo | |
| dc.type.version | publishedVersion |