La bicicleta en el cine de ficción. El medio de transporte del buscavidas
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Date
2021-01
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UNR Editora
Abstract
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La bicicleta es un motivo con una larga tradición en el cine, pero su apariencia varía en la
pantalla porque forma una unidad con el ciclista. Esto significa, que en el caso de los pocos largometrajes
realizados en América Latina, la trama muestra a protagonistas solitarios en su mundo de
ficción, viviendo circunstancias difíciles. Utilizando el motivo kafkiano del castillo laberíntico, se
comparan algunas de estos filmes rodados desde el cambio de milenio que incorporan este motivo.
The bicycle is a motif going back far in history of cinema. But its appearance varies on the screen, because it forms a unity with the cyclist. This means that, in the case of the few feature films made in Latin America, the plot and the world, in which it unfolds, show lonely protagonists living in difficult circumstances. Using the Kafkaesque motif of the labyrinthine castle, some of these films are compared, that incorporate this motif and were shot since the turn of the millennium.
The bicycle is a motif going back far in history of cinema. But its appearance varies on the screen, because it forms a unity with the cyclist. This means that, in the case of the few feature films made in Latin America, the plot and the world, in which it unfolds, show lonely protagonists living in difficult circumstances. Using the Kafkaesque motif of the labyrinthine castle, some of these films are compared, that incorporate this motif and were shot since the turn of the millennium.
Keywords
Cine, Objetos cinematográficos, Neoliberalismo, Bicicleta, Materialismo vital, Cinematographic objects, Neoliberalism