La música de Baudelaire.
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Date
2018
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Escuela de Letras. Facultad de Humanidades y Artes. Universidad Nacional de Rosario
Abstract
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A partir de una lectura del poema “La música”, y a través de referencias a otros lugares de la obra baudelairiana, se intenta situar el pensamiento musical de Baudelaire, es decir, aquél que resulta disonante respecto de su reflexión crítica (particularmente respecto de la música wagneriana) y que, entendemos, se encabalga entre el infinito de la Sehnsucht romántica y la crispación del Spleen moderno.
From a reading of the poem "La musique", and through references to other places in the Baudelairean work, we try to situate the musical thought of Baudelaire, that is, one that is dissonant with respect to his critical consideration (particularly regarding the Wagnerian music) and that is embedded between the infinity of the romantic Sehnsucht and the tension of the modern Spleen.
From a reading of the poem "La musique", and through references to other places in the Baudelairean work, we try to situate the musical thought of Baudelaire, that is, one that is dissonant with respect to his critical consideration (particularly regarding the Wagnerian music) and that is embedded between the infinity of the romantic Sehnsucht and the tension of the modern Spleen.
Keywords
Baudelaire, Música, Mar, Infinito, Spleen, Music, Sea