El difícil regreso. Bashing, entre el honor y la supervivencia
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Date
2019-12
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SeIDeSoC
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El cine es un difusor de ideas, costumbres y valores, es expresión de realidades ajenas. En
momentos, controvertido por ofrecer temas que cuestionan el statu quo de la sociedad,
permite un acercamiento a culturas lejanas a la propia. En este sentido, la cinematografía
japonesa se ha caracterizado por mostrar un ambiente de éxito, una sociedad resiliente y
con escenarios que dan muestra de un país boyante. Pero, también está el cine que se
acerca más al Japón permeado por profundas diferencias, por valores que lastiman y
provocan dilemas en la vida. Aquí, a través de la mirada de Masahiro Kobayashi y su obra
Bashing revisamos la realidad que ofrece Japón a quienes, en su contexto de ideas y
valores no cumplen con su deber y deshonran a su grupo. El bullying, la marginación y
la humillación serán una constante en la obra revisada, ofreciendo una cara diferente de
Japón, con escenarios sencillos, abrumadores y personas con profundos sentimientos.
Así, consideramos que el cine japonés actual ofrece la oportunidad de mirar de cerca a
ese complejo y apasionante país.
Cinema spreads ideas, customs and values, it is an expression of other people's realities. At times, controversial for offering issues that question the status quo of society, although, it allows an approach to foreign cultures. In this sense, Japanese cinematography has been characterized by showing a successful environment, a resilient society and with scenarios that mirror a buoyant country. But, there is also another cinema, a controversial one, closer to the real Japan. Herein, through the gaze of Masahiro Kobayashi and his movie Bashing, we review the reality that Japan offers to those who, in their context of ideas and values, do not fulfill their duty and dishonor their group. Bullying, marginalization and humiliation will be a constant in the revised work, offering a different face of Japan, with simple, overwhelming scenarios and people with deep feelings. Thus, we consider that the current Japanese cinema offers the opportunity to look closely at this complex and exciting country
Cinema spreads ideas, customs and values, it is an expression of other people's realities. At times, controversial for offering issues that question the status quo of society, although, it allows an approach to foreign cultures. In this sense, Japanese cinematography has been characterized by showing a successful environment, a resilient society and with scenarios that mirror a buoyant country. But, there is also another cinema, a controversial one, closer to the real Japan. Herein, through the gaze of Masahiro Kobayashi and his movie Bashing, we review the reality that Japan offers to those who, in their context of ideas and values, do not fulfill their duty and dishonor their group. Bullying, marginalization and humiliation will be a constant in the revised work, offering a different face of Japan, with simple, overwhelming scenarios and people with deep feelings. Thus, we consider that the current Japanese cinema offers the opportunity to look closely at this complex and exciting country
Keywords
Japón, Cine, Guerra, Marginación, Bullying, Japan, Cinema